Knocked Out Loaded has several things that every other Dylan album is missing and is a work of courage by a man with brass balls... Name any other artist that could have pulled off releasing an album with the artistic diversity found on
Knocked Out Loaded.
You Wanna Ramble starts right out of the gate for the entire world to hear that this is Dylan, this is the '80s, and he isn't making any excuses for it... he's forging ahead with courage... and he's gonna ramble 'til the break of dawn.
They Killed Him... a song harkening deeper spiritual insights about human nature and its response to visionaries who reject society's injustice... and Dylan allows children to assist in proclaiming those spiritual truths. Should we not teach our children well? (Okay, that was Crosby, Stills, & Nash, but they were right.) Its the kind of story that should be sung from every street corner and its theme is not so different from
The Lonesome Death of Hattie Carroll. In fact, I think a medley with
The Lonesome Death of Hattie Carroll and
They Killed Him would further cement his status as voice of a generation. (One has to wonder if this isn't somewhat autobiographical too... I think he knew the response he was going to receive for this and after its release it was as if
They Killed Him.)
Driftin' Too Far From Shore brings one firmly into the '80s with that oh-so-'80s production style. Paradoxically, when one listens to it, they realize they haven't actually drifted so far after all. Its the only admission we have in song that Dylan "don't like playing cat and mouse". That line just gets me everytime!
Precious Memories has the the sentimental early 20th century pietist vibe that interestingly includes beautiful Caribbean steel drums. Who'd ever thought of that? Its the kind of song that takes one back to one's childhood, stting at the piano with one's grandparents for the family holiday sing-a-long.
Maybe Someday returns us to the '80s with the techno-production style that set Dylan apart from his contemporaries. Where all others failed, ('cause lets face it, that production style is best left forgotten) Dylan succeeds with lyrics as no other artist can. Lines like
Maybe someday you’ll find out everybody’s somebody’s fool burn into one's memory and soul... and the song is full of those wondrous one liners.
Brownsville Girl... takes us back to a merger of the old west of the 19th century cowboys, the Dustbowl days, and the post World War II era traversing a lyric landscape that made him famous in the '60s... proof that that man's still got "it"... that magical genius for painting a picture with words and adapting a melody for the backdrop.
Got My Mind Made Up is a reminder that, just as a record revolves on the turntable, Dylan is bringing us back yet again to the '80s. Rhyming his lyrics in his masterful way, he weaves a tapestry of images that are every bit as Dylanesque as anything he's done before. And in keeping with so many other things on this album, its the only song mentioning Libya and "living in an oil refinery"... seriously, who would have ever come up with that besides Dylan?
Under Your Spell... beautiful... simply beautiful. A love song that deserves to be sung with regularity on the
Never Ending Tour. Seldom does any song move the heart and soul the way
Under Your Spell does.
The "failure", if there were to be such a thing, with
Knocked Out Loaded isn't what it delivers. If anything its what is left off the album and not delivered at all... those songs he left off that could have made this a masterpiece of a double album. And we're still waiting the release of those gems.
