Bob Dylan 2000.03.16 Helsinki
Subject: Helsinki review From: Riitta LaitinenDate: Wed, 17 May 2000 13:50:45 +0300 Hi all, here are my comments from last night: Yesterdayās concert was a very good one! But I had very ambiguous feelings about it. I could find no fault in Dylanās singing, it was absolutely beautiful and strong. The band played good, as they always seem to do. But I felt that sometimes Dylan went on autopilot and at times I seemed to go on autopilot (even if I donāt see Dylan that often). Dylanās autopilot just is so damned good these days. But then again, it might just have been me. Too much of a greatest hits show for my taste. It really started to bother me at some point. And he chose the wrong greatest hits for my taste too... But still, Iām not saying it was not a great concert and I didnāt enjoy myself. And he looked good too. The first song, as always, went past in amazement of the situation. It is so weird, that Dylan is so much of an influence in our lives that when you see him live you end up thinking is he really there, is he really a real person. He sometimes seems to be a dream weāve made up. I didnāt want to hear Times They Are A-Changing and I donāt really remember much of it. I so much wanted to hear Itās Allright, Ma. Though I complain about the setlist, not hearing that is my only really big disappointment. Masters of War was very good, it seems it never has been anything but great after 1995. One of the higlights of the night was Tangled up in Blue. However much this gets played, itās never too much. It always seemes to do something. This was a great version. It kind of got both Dylan and the band and the audience in another gear. It gave me the best feeling in the whole concert. Was it on this one that they had the great älight showä? The lights and the background curtain looked really good all along, by the way. After Tangled the gear changed back (even if Baby Blue was also a very good performance.) Harmonica without the guitar at the end of Baby Blue. He had his right had on the small of his back when he played. I think this was because his back ached. It was later very visible when he bowed and also at the end of Heavenās Door when he had to put down his quitar by himself as the roadie was too slow to notice that he wanted to play the harmonica. Counry Pie was lovely. I would love to go to a Dylan concert where he would play just some plain old rockānāroll. I reaaally loved it. Seor got quite a response from the audience. The violin made it sound like it came straight from Desire. On Maggies and Just Like a Woman I went on autopilot, or he did. There was nothing wrong with the perfomance but... I donāt know. He did sing really beautifully. On Memphis Blues that another gear appeared again. All through the concert the lights were at times partly aimed at the audience. Until this song at those times Dylan seemed to be looking into his music (that is nowhere visible) but not at us. During Memphis Blues he started to look a the audience more, directing the lyrics to us more directly. It looked as he was somehow more focused too. I donāt know if this is just my imagination. But at one point he seemed to find his way of singing a line amusing and laughed a bit. And then Dylanās people by the stage encouraged us to come towards the stage. (Finland doesnāt deserve Dylan!!). My sister asked after the concert what was the first song after the rush for the stage. I couldnāt remember. It has happened before. Another first song moment, you just enjoy your and his existence. Now that Iāve read the setlist from Pagelās page to remind me I do remember that Leopart-Skin Pill Box Hat was one of those great rockānāroll numbers that I thoroughly enjoy. Lovesick was stupendous!!!!! I just wish he would have sung more newer songs!! Rolling Stone after that was a bit of a letdown. People around me seemed to love it though. Got a few hits in the head even, by the most enthusiastic. Heavenās Door again was very beautiful. And Dylan escaped the people who wanted to sing along by changing the end of the chorus a bit every time. Iām glad, because I wanted to hear his so very soft and wonderful voice and not those around me. Not Fade Away, again a suitable rockānāroll piece for that concert I want to hear. Blowing in the Wind was ok, except I didnāt really want to hear it. Some glances were exchanged by Dylan and Campbell. Campbell seemed to be staring into emptiness at this point, maybe Dylan could hear this on his playing. Couldnāt interpret what they were communicating but something went on, right until the beginning of Rainy Day Women. It was interesting. Rainy Day Women was the same jamming number that it was in the mid-90s. It was ok. And much of the jamming time Dylan played to a pretty young woman standing right to my left. Read a lot of comments about this kind of thing and it was very nice to see that by myself. It was very endearing and sweet. So, it was a great concert, but it could have been even greater. And tomorrow Stockholm. My second time to see more than one show on one tour. The first was in 1987. Riitta
He came, he sang, he conquered - Dylan in fine form - (Helsingin Sanomat) (link found by William Moore)