Bob Dylan 2000.11.06 in Duquesne
Duquesne University
A.J. Palumbo Center
Capacity: 6200
From: jokerman@bellatlantic.net Date: Tue, 07 Nov 2000 07:22:12 -0500 To: webmaster@expectingrain.com Subject: review of Nov. 6th, 2000 A basketball venue is hardly anyone's idea of a good place to hold a concert due to the echo and muddy mix that usually plague these facilities. So it was with a bit of trepidation that we entered the Palumbo center last evening. Arriving half-way through the local opening act, we found a place about 20 yards from the stage. The venue was pretty full at this point and we eventually moved back from the front and watched the show from a less tightly packed area of the floor. Dylan and company took the stage at 7:45 PM and promptly began the acoustic set with 1. Duncan And Brady(acoustic)- Dylan's voice was strong and clear from the outset. My skepticism about the venues acoustics were quickly laid away as the entire band sounded great and would continue to excel throughout the show. 2. Mr. Tambourine Man(acoustic)- One of my favorite tunes sung with a hypnotic slowness that brought many cheers from the enthralled audience. Dylan cocked his head to one side during the verses as if to recall the emotions he felt when he wrote this gem so many years ago. 3. It's Alright, Ma(I'm only Bleeding)(acoustic)-A very rocking bluegrass arrangement propelled the song along with Dylan enunciating every syllable with strength and conviction. On the eve of the presidential election, the line "But even the president of the United States sometimes must have to stand naked" brought one of the loudest crowd responses of the night. 4 .Love Minus Zero/No Limit(acoustic)- Dylan dug deep into his bag of vocal nuances for a very tender rendering of Love Minus Zero. During the outro, Dylan laid back as Larry Campbell played some lovely steel guitar that took the song to the next level. 5. Tangled Up in Blue(acoustic)-At this point, Dylan knew that he had the crowd in the palm of his hand and he began smiling a bit and hamming it up during the instrumental passages of "Tangled". The crowd roared their approval as Dylan took a short guitar solo that didn't go anywhere but delighted the audience just the same. 6. Searching for a Soldiers Grave(acoustic) Larry began the song with a nice mandolin flourish that slowed as Dylan gave the song a slow and somber rendering that showcased the songs simple but unmistakable beauty. A side note: This was probably the most appreciative and Dylan knowledgeable crowd i have ever encountered. While very into the show and in a partying mood, there was none of the belligerence or during song talking that one can find at many concerts electric set 7. Country Pie- Big smiles from everyone on stage during ÎCountry Pie" A good upbeat number to welcome the electric instruments. Dylan roared through a quick solo and then gave Charlie Sexton and Larry Campbell a chance to shine as they traded solos back and forth. The band really seemed to give this song a work out in its very short form. 8. Standing in the Doorway- Wow! A song that i had been hoping for and i was not disappointed. Dylan sang strongly and loudly without forsaking any of the songs atmosphere or intimacy. A very touching performance and Dylan smiled broadly during the applause knowing that he had nailed it. 9. Stuck inside of Mobile- A chance for Dylan to play with his phrasing and timing on the lyrics while David Kemper laid down a funky backbeat that allowed Sexton and Campbell to each take a couple solos. Charlie Sexton's solo soared beautifully as his playing sparkled all evening long. 10. Just Like a Woman- A very welcome surprise and nicely played at that. Larry Campbell colored the song with cascading pedal steel notes that added another dimension of feel to the song. Dylan sang the song with delicate melodic phrasing that nicely fit the song. The audience again rewarded the song with a long ovation that brought a smile and a fluffing of the hair from Dylan 11. Drifters Escape- i was really happy to hear this tune as i had read quite a few great reviews of it. This was the highlight of the show for me. As the band laid down a rocking beat, Dylan nailed the vocals with great power and phrasing. On of the most consistent trends of the night was the fact that Dylan was in great vocal form and nowhere was this more apparent then here. After a blues drenched jam, Dylan held the guitar to one side and played a short but good harmonica solo. 12. Leopard Skin Pillbox Hat- After the band intros, LSPBH closed the electric set. Dylan was doing quite a bit of dancing and bobbing his head while the band pushed the song harder and harder which Dylan seemed to thrive on. His vocals rang strong and true as he rode the maelstrom that the band had whipped up. A very long, blazing outro treated the audience to solos by Campbell and Sexton before Dylan brought the song home with a short solo of his own. It is very strange to see the band stand there in formation after the tune. They all look very uncomfortable and unsure of what to do during this time. Encores 13. Things Have Changed- A good performance of the song but the rhythm seemed to become a bit wobbly as the song continued. 14.Like a Rolling Stone- A good rocking sing a long tune for the casual fan. It was well received and it was well played even though the rhythm threatened to fall apart during the chorus. David Kemper was excellent on drums all evening. Unfortunately, this was not Tony Garnier's best night. His playing was good as usual but he didn't add the spark to the songs that he usually does. On other nights, that would hinder the show but since the rest of the band was so on and Dylan was at the height of his powers, it mattered little. 15.If Dogs Run Free(acoustic)(Larry and Charlie on electric) A very fun and loose song that showcased Dylans ability to laugh at himself. The lounge lizard arrangement was hilarious and the audience ate it up. Larry Campbell took a spirited, jazzy solo to close the song out. 16.All Along the Watchtower- a few extraneous notes at the onset had my hopes up for "Cold Irons Bound" but instead we got "Watchtower" which I'll never complain about. One of the loudest crowd responses of the night and the band delivered the goods. Charlie Sexton laid down lick after lick of blues drenched rock and roll. A good performance by Dylan as he splayed his legs and pointed his guitar at the audience in front of the stage. 17. Forever Young(acoustic)-A beautifully played tune that shimmered under Dylan's warm vocal. Something about the way Dylan sang the song reminded me of a painting with watercolors. 18. Highway 61- Another showcase for Charlie Sexton to trade solos with Dylan. There was a very good light show all night and it culminated during the climax of "Highway 61". Dylans vocals remained loud and clear with no sign of tiring. 19. Blowing in the Wind(acoustic)- While i still see it as being anticlimatic and a rinky dink tune, the crowd loved it and the harmonies between Dylan and the band seemed tighter than usual. Another formation with Dylan nodding his head and his hands on his hips. An excellent show with great vocals, outstanding musicianship and a very good set list made for another magical evening. I'd love to get a copy of this show. Sorry for the length of the review but i tend to ramble. In Bob we trust, Carsten Molt Jokerman@bellatlantic.net